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・ Mikhail Vladimirovich Popov
・ Mikhail Vladimirsky
・ Mikhail Vodopyanov
・ Mikhail Volkenshtein
・ Mikhail Volodin
・ Mikhail Voloshin
・ Mikhail Volpin
・ Mikhail Vorobyev
・ Mikhail Vorobyev (ice hockey)
・ Mikhail Voronin
・ Mikhail Voronin (fashion designer)
・ Mikhail Voronov
・ Mikhail Vorontsov
・ Mikhail Voskonyan
・ Mikhail Voskresensky
Mikhail Vrubel
・ Mikhail Wehbe
・ Mikhail Yakimovich
・ Mikhail Yakovlev
・ Mikhail Yakovlev (footballer, born 1892)
・ Mikhail Yakovlev (footballer, born 1996)
・ Mikhail Yakovlevich Suslin
・ Mikhail Yakubov
・ Mikhail Yakushin
・ Mikhail Yangel
・ Mikhail Yanshin
・ Mikhail Yasnov
・ Mikhail Yefimov
・ Mikhail Yefremov
・ Mikhail Yefremov (politician)


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Mikhail Vrubel : ウィキペディア英語版
Mikhail Vrubel

Mikhail Aleksandrovich Vrubel ((ロシア語:Михаи́л Алекса́ндрович Вру́бель); March 17, 1856 – April 14, 1910, all n.s.) is usually regarded amongst the Russian painters of the Symbolist movement and of Art Nouveau. In reality, he deliberately stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine and Early Renaissance painting.
==Early life==
Vrubel was born in Omsk, Russia, into a military lawyer's family. His father was of Polish ancestry ((ポーランド語:Wróbel)), while his mother who was Danish died when he was three years old. And though he graduated from the Faculty of Law at St Petersburg University in 1880, his father had recognized his talent for art and had made sure to provide, through numerous tutors, what proved to be a sporadic education in the subject. The next year he entered the Imperial Academy of Arts, where he studied by direction of Pavel Chistyakov. Even in his earliest works, he exhibited great talent for drawing and an idiosyncratic style. He would later develop a penchant for fragmentary composition and an "unfinished touch".
In 1884, he was summoned to replace the lost 12th-century murals and mosaics in the St. Cyril's Church of Kiev with new ones. In order to execute this commission, he went to Venice to study medieval Christian art. It was here that, in the words of an art historian, "his palette acquired new strong saturated tones resembling the iridescent play of precious stones". Most of his works painted in Venice have been lost, because the artist was more interested in creative process than in promoting his artwork.
In 1886, he returned to Kiev, where he submitted some designs to the newly built St Volodymir Cathedral. The jury, however, failed to appreciate the novelty of his works, and they were rejected. At that period, he executed some illustrations for ''Hamlet'' and ''Anna Karenina'' which had little in common with his later Demon and Prophet themes.
In 1905 he created the mosaics of the hotel "Metropol" in Moscow, of which the centre piece of the facade overlooking Teatralnaya square is occupied by the mosaic panel, ''Princess of Dream''.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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